In this series of works, the paint on the brush is not washed away, but is left to create the next color and draw the line again. The fragmented lines of time continue like a gradation.

The music we listen to and the time we live in remain with us as part of our new memories, transcending genres and generations.

Those who are new to these songs themselves will see this work in the future, and those who know them originally will see it with the memories they already have of those songs. At that point, the song and the line will affect the way you see things, and the music of the past will be overwritten by new memories.

In the end, the digital image of the timeline consisting of the Internet is expressed with analog paper and paint.

Colors can be linked to the music as images, but it doesn't really matter why this color is used for this song. What color it will be will be influenced by the previous paint used. It is the amount of that paint that determines the color. That's how things are connected. It depends on the viewer whether they are looking closely at a single piece of work or at the overall exhibition, the flow of a group of works, what they can become when I present the lines I draw.

And the never-ending question of what is the time as we perceive it goes on and on. How far should we go, and how far is enough? My greatest hope is that this will become one of the new yardsticks to look at things and to live by.

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